Narayan is a comic novelist. His attitude to comedy grows out of a whole view of man's condition in the universe, and therefore the criticism of society and the observation of the social predicament implicit in his work is only incidental. For Narayan, society is not man-made by choices but existing as part of a universal order with which it is continuous. Thus to appreciate his work, one must understand his view of man's life in a universal order which is cyclical, of man's relation to this cyclical order and attachment to the wheel of existence. This can be seen in his work at three levels: his own philosophical and metaphysical beliefs; the beliefs he puts into the minds of his characters and from which he, as the author, detaches himself; and the conscious use he makes of this view as a comic and literary device.
The cyclical construction which is the characteristic form of Narayan's novel is a universal comic device. Bergson, in his book Laughter: an Essay on the Meaning of the Comic, calls it the 'snowball effect'…. Treating the 'snowball' as one among other comic devices, Bergson describes it as 'an effect which grows by arithmetical progression so that the cause, insignificant at the outset culminates in a result as important as it is unexpected'…. We get comedy, he says when man acts in a mechanical or rigid way rather than in accordance with the flexibility and adaptability which are the special qualities of living beings…. It is easy to see how Bergson's theory of the logic of the absurd applies to many of Narayan's characters whose lives become organized around a particular obsession—it may be money, or an ambition, or love, or even an inanimate thing. (pp. 122-24)
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