While summing up R. K. Narayan's characteristics as an author, the first thing that strikes us most is the dispassionate manner in which he judges the Indian life of his own times. Like other great artists he also possesses artistic impersonality and serene abstraction from life. He loves humanity but does not take sides. In his novels we have no didacticism, no philosophy, no propaganda. He is an artist pure and simple and interprets Indian life aesthetically with unprejudiced objectivity. It is because of the quality of comprehending reality from the objective heights of a luminous temperament and presenting people as they are without personal bias that he is considered as the most artistic of Indian writers in English and is often compared to Jane Austen and Anton Chekhov. The comparison is not unjust also for there is a very close affinity between the methods of these writers and those of R. K. Narayan. (p. 157)
[Narayan's] primary aim is to present convincingly a scene formed in his imagination. The great social, economic and political changes that have taken place in the last few decades seem to have left him untouched. He neither denounces nor upholds any cause or takes any sides. His writings are refreshingly free from all types of ideological prejudices. By temperament and choice he holds himself aloof, not an actor, but a spectator sympathising but not sharing in the interests of the world around him. (p. 158)
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