Between The Mystic Masseur and publication of In a Free State, the structural organization of Naipaul's several novels has undergone a series of discernible changes. There is a marked difference between the early and late fiction, but the alterations in technique reveal a consistent development. Employing rather traditional plots and standard narrative exposition, he offers little that is innovative in the way of structure. In each book, whether the action is presented in simple, straight-forward narration or through a complex juxtaposition of episodes which assume significance accumulatively, Naipaul very carefully interrelates the various threads of his chosen plot.
Reduced to chronological outline, Naipaul's novels appear disarmingly simple. The basic framework does not rely for its effect on intricate complexity or on any "high seriousness" of action. Naipaul's primary focus is in his characters; all else depends upon them, and in recounting their experiences he is concerned that he tell their story well. Significantly, four of the published novels are presented through the eyes of a participating narrator. This contributes to the immediacy of these books, making the speaker's personality and the pattern of his emotional development an integral factor in the form of the works. At the same time, viewed from another perspective the narrator functions more as a device for continuity than as a fictional person; his point of view, his tone of voice, and his esthetic distance (not to be confused with that of the author) then assume importance as avenues through which the critic can view the work's basic structural arrangement. (p. 35)
