SOURCE: Fox-Good, Jacquelyn. “Other Voices: The Sweet, Dangerous Air(s) of Shakespeare's Tempest.” Shakespeare Studies 24 (1996): 241-74.
In the following essay, Fox-Good examines the subversive nature of music in The Tempest, and contends that music is employed by characters, such as Caliban and Ariel, who have been relegated to the margins of society and who use songs to voice their grievances and protest their subjugation.
