In much of his work [Gabriel García Márquez] has turned his hometown into a dream kingdom of shattered expectations built on nostalgia; Macondo is bereft of idealism, visions of a better world, calls to arms. These attitudes are seen as part of an old order that must be stripped away to get at the long-concealed truth….
Before [Chronicle of a Death Foretold] came The Autumn of the Patriarch, a monologue of a dying tyrant based on the life of Juan Vicente Gómez of Venezuela, whose crimes had been magnified into myth in the mouths of refugees to Aracataca during the novelist's childhood. The book's highly praised style was baroque and convoluted. García Márquez implausibly defends his method by citing the supposed unreadability of Ulysses when it first came out, and claiming that "today children read it." Although an intellectual tour de force, Autumn lacks the endearing magic of the author at his best.
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