Mphahlele's story [Chirundu], about the self-made Chimba Chirundu, minister of transport and public works in an imaginary African country, is well crafted. The atmosphere conveys a sense of momentum; life is on the tracks in Mphahlele's fictional land, and the characters, while momentarily blocked by subterfuge, disappointment, or deception, do not lose their spirit. Chirundu is arrested on a charge of bigamy brought by his first wife. He defends his second marriage on the basis of Bemba tribal law. He has divorced his first wife because both realized their marriage was not working and because they have lived apart for some time. With this situation Mphahlele comes to grips with issues of modernism and tribalism, of new and old Africa, of individualism and communal responsibilities. He invests Chirundu with ambition and passion, even with a reluctant admiration for his Medea-like first wife.
Mphahlele tells his story through several narrators…. Their various points of view have cumulative force, and the reader senses the division and rich complexity of the independent nation Mphahlele is drawing. (pp. 25-6)
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