I have read Miss Moore's poems a good many times, and always with exactly the same pleasure, and satisfaction in something quite definite and solid. (p. 48)
Miss Moore's poems always read very well aloud. That quality is something which no system of scansion can define. It is not separable from the use of words, in Miss Moore's case the conscious and complete appreciation of every word, and in relation to every other word, as it goes by. I think that Those Various Scalpels is an excellent example for study. Here the rhythm depends partly upon the transformation-changes from one image to another, so that the second image is superposed before the first has quite faded, and upon the dexterity of change of vocabulary from one image to another. "Snow sown by tearing winds on the cordage of disabled ships:" has that Latin, epigrammatic succinctness, laconic austerity, which leaps out unexpectedly (altogether in Talisman).
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