Impressionist critics, because they have attributed to Miss Moore many of their own manias and virtues, have left her actual virtue—her "secret"—untouched. She belongs to a lineage against which the impressionist and the "modernist" have for so long rebelled that by now they are forgetful that it ever existed. In Miss Moore two traditions that modernism tends to ignore, meet. She is, on the one hand, a nearly pure example of that inquisitive, receptive kind of civilized human being which flourished from the high Renaissance through the high Roccoco: the disciple of the "new" as opposed to the "old" learning, the connoisseur, the humane scholar—to whom nothing was alien, and for whom man was the measure of all. Her method, in her "observations," has been compared, and rightly, to that of Francis Bacon and Sir Thomas Browne. But we soon come upon in her work...