[In Raditzer we find] a character distinct from those in literature, yet one who has somehow figured, if but hauntingly, in the lives of us all. It is, in certain ways, as though a whole novel had been devoted to one of Algren's sideline freaks, a grotesque and loathsome creature—yet seen ultimately, as sometimes happens in life, as but another human being….
We see Raditzer, the ordinary seaman, mostly through the eyes of Charles Stark, his shipmate and reluctant mentor, abroad the U.S.S. General Pendleton in Pacific waters, late 1944. Stark is that sane and perceptive fellow who used to be played by Herbert Marshall in the movies but who frequently recurs, somewhat younger now, as first-person narrator in New Yorker short stories—a cardboard figure and a pretty dull tool actually, with his flagrantly self-conscious "reasonableness" and "normalcy," and his finger-deep introspection. Stark is, in short, a literary ideal; he represents the reader. (p. 170)
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