[Peter Matthiessen] is by intention a tight writer: he begins with a situation of tension and screws it to a higher pitch. This is his device in his first novel, Race Rock …, and I'm sorry to report that the story will be disagreeable to many readers. It concerns four Americans, all in their twenties, who have been attracted to each other since childhood: Sam, who has proved a failure as a painter; Eve Murray, who was his wife; George McConville, a wealthy young broker who has made Eve his mistress and, as she thinks, pregnant; and Cady Shipman, the embittered veteran who in his rough way also attracts Eve….
In the story that follows, Mr. Matthiessen in his counterpoint of present and past seeks to tell you why they have become what they are. But his aims are in opposition: his first and most compelling is to show you the deterioration, no matter how repellent; his second, to recover the integrity of his quartet where he can. It is a losing battle.
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