SOURCE: Harmon, William. “Mary Karr, Mary Karr, Mary Karr, Mary Karr.” Southern Review 33, no. 1 (winter 1997): 150-55.

In the following review, Harmon discusses The Liars' Club in conjunction with Karr's poetry and literary criticism, arguing that The Liars' Club “may become a classic.”

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To get at the notion of four Mary Karrs—critic, poet, memoirist, and metacritic—let's start in 1991, when I was visiting the poet Robert Morgan near Ithaca, New York. Bob asked if I had seen an essay called “Against Decoration”—by a Mary Karr—in the current Parnassus. Smug with one-upsmanship, I crowed and barked simultaneously: “I've already written her a fan letter!” I had felt I could do such a thing because I also had an article in that Parnassus and had, in earlier issues of the journal, taken a few shots at the same targets she scored against. She was teaching at Syracuse...