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Marshall, Paule 1929–: Critical Essay by Lloyd W. Brown

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About 5 pages (1,525 words)
Paule Marshall Summary

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Apart from the usual review notices in the usual periodicals, there has been no noteworthy discussion of Paule Marshall's major works…. This neglect is unfortunate, because Paule Marshall's major themes are both significant and timely. Her West Indian background (Barbadian parentage) enables Paule Marshall to invest her North American materials with a Caribbean perspective, and in the process she invokes that Pan-African sensibility which has become so important in contemporary definitions of Black identity. Secondly, her treatment of the Black woman links her ethnic themes with the current feminist revolt. Finally, the ethnic and sexual themes are integrated with the novelist's interest in the subject of power. This interest is the logical outcome of her preoccupation with groups—women and Blacks—whose roles have been defined by powerlessness. But her treatment of this subject is complex and innovative because she analyses power not only as the political goal of ethnic and feminist movements, but also as social and psychological phenomena which simultaneously affect racial and sexual roles, shape cultural traditions, and mould the individual psyche.

Indeed, Paule Marshall's style invariably includes images of power-as-experience. She is a good example, in this regard, of those novelists in whom the recurrence of major themes imposes a distinctive iconography on their narrative forms. We can trace throughout her fiction rhythms of movement and sound which symbolically dramatize the dynamics of power in several forms—physical force, will power, political and sexual power, and so on. This power symbolism imparts a distinctive rhythm to her fictional forms as a whole: the narrative opens and closes with identical or similar symbols of power; or her themes present certain forms of power, such as death and the life-force, as alternating cycles in the cosmos. Paule Marshall's style therefore defines her themes. It fulfills the concept of fictional style not merely as a "mode of dramatic delimitation, but more precisely, of thematic definition."

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Marshall, Paule 1929–: Critical Essay by Lloyd W. Brown from Literature Criticism Series. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.



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