'Night, Mother | Criticism

This literature criticism consists of approximately 26 pages of analysis & critique of 'Night, Mother.
This section contains 7,593 words
(approx. 26 pages at 300 words per page)
Buy the Critical Essay by Janet Brown and Catherine Barnes Stevenson

SOURCE: Brown, Janet, and Catherine Barnes Stevenson. “Fearlessly ‘Looking under the Bed’: Marsha Norman's Feminist Aesthetic in Getting Out and 'night, Mother.” In Theatre and Feminist Aesthetics, edited by Karen Laughlin and Catherine Schuler, pp. 182-99. Madison, N.J.: Fairleigh Dickinson University Press, 1995.

In the following essay, Brown and Stevenson argue that Getting Out and 'night, Mother foreground many “specifically feminist concerns” through the formal theatrical means of setting, plot, and character.

Thirteen years ago, when feminist theory and “gynocritics”1 were in their infancy, Janet Brown, one of the authors of this article; tried to identify the essential characteristics of feminist drama. Using the rhetorical model of Kenneth Burke, she argued that a drama is feminist if it depicts a woman seeking autonomy in an unjust patriarchal society.2 Since then, feminist theory has matured...

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This section contains 7,593 words
(approx. 26 pages at 300 words per page)
Buy the Critical Essay by Janet Brown and Catherine Barnes Stevenson
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Critical Essay by Janet Brown and Catherine Barnes Stevenson from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.
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