SOURCE: “Writing the Subject: Exoticism/Eroticism in Marguerite Duras's ‘The Lover’ and ‘The Sea Wall,’” in De/Colonizing the Subject: The Politics of Gender in Women's Autobiography, edited by Sidonie Smith and Julie Watson, University of Minnesota Press, 1992, pp. 436-58.
In the following essay, Chester examines colonialism and autobiographical representation in The Lover and The Sea Wall.
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Read the rest of this Criticism with our Marguerite Duras: Critical Essay by Suzanne Chester Access Pass.
