In several of his plays, most notably in American Buffalo, Mamet has demonstrated genuine dramatic gifts. He possesses a tender sensibility and a keen sense of the stage. His plays shift in focus and in aim, as if they were meant not so much to interest or entertain us as to discover who he is: Mamet appears to be seeking his theme, his artistic identity. It is a quest which inspires sympathy. (p. 581)
[The Woods] is all literally "true to life"—which is exactly what troubles me. Innumerable love affairs everywhere may be similarly graphed, even to the point of the nervously inconsequential fragments of speech with which the lovers communicate. The play implies that, especially in the matter of love, we are all in the "woods." The phenomena of nature itself surround and wrap us in an impenetrable dark mystery, unresponsive to reasoned explanation.
This is a free excerpt of 144 words. There are 279 words (approx.
1 page at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Mamet, David 1948–: Critical Essay by Harold Clurman Access Pass.
