When do we give up on a novelist? Sometimes, if it be foul enough, a single sentence will do the job….
But what if the writer has acquired a reputation as a serious and highly accomplished artist, thought in some quarters to be a major novelist, a modern master even? What if, more complicated still, he has given you pleasure, insight into the working of the human heart, and other novelistic rewards in the past? What if he writes one poor book, then a second, then yet a third? At what point do you concede, however regretfully, that this writer no longer speaks to you, and walk away? (p. 49)
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