In 1958, in his celebrated collection The Magic Barrel, Malamud published a short story about a Negro and a Jew. It was called "Angel Levine," and it contrived for Manischevitz, a Job-like figure who has "suffered many reverses and indignities," the promise of redemption through a magical black man [the angel, Levine]. (p. 80)
[The] narrative is altogether offhand about the question of the angel's identity: Levine is perfectly matter-of-fact about it, there is nothing at all miraculous in the idea that a black man can also be a Jew. In a tale about the supernatural, this is what emerges as the "natural" element—as natural-feeling as Manischevitz's misfortunes and his poverty. Black misfortune and poverty have a different resonance—Manischevitz's wanderings through Harlem explain the differences—but, like the Jews' lot, the blacks' has an everyday closeness, for Manischevitz the smell of a familiar fate. To him—and to Malamud at the end of the fifties—that Black and Jew are one is no miracle.
This is a free excerpt of 160 words. There are 2,579 words (approx.
9 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Malamud, Bernard 1914–: Critical Essay by Cynthia Ozick Access Pass.
