[The story of Jenny in Carnival] is an amalgam of Mackenzie's experience and observation. (p. 12)
The real tragedy … lies not in the murder of Jenny by gunshot, but in the gradual murder of her vivacity, sharp wit, and sheer brightness, her marvellous aliveness, by a kind of inertia in herself: it was too easy for her to stay in the chorus at the Orient with her friends and admirers around her rather than to move forward into the more taxing world of dancing…. It is this wastefulness—which lies in nature—that saddens the reader. But there would be no sadness, no sunt lacrimae rerum, without Mackenzie's astonishing insight into the character of a small child who grows into a young woman but never into a mature woman…. Here is a great theme, presented in unforced prose exactly fitted to its purpose—not a phrase jars even after fifty years. Some readers in 1912, upset by its sexual implications, dubbed it 'realist'; later it was thought of as 'romantic'; today it is a classic. (pp. 12-13)
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Read the rest of this Criticism with our Mackenzie, (Edward Montague) Compton 1882–1972: Critical Essay by Kenneth Young Access Pass.
