Colin MacInnes's little known trilogy of London novels comprises vividly composed fictions of the underside of London life. In City of Spades (1957), Absolute Beginners (1959), and Mr. Love and Justice (1960), autonomous fictions linked by a common fifties setting, he creates the milieux of immigrant blacks, of independent teenagers, and of "ponces" (pimps) and police, whose worlds are hidden within a more often fictionalized London. Sympathetic to social underlings, he explores their worlds neither sentimentally nor sensationally; he is thoughtful, satirical, and imaginative—primarily a novelist in command of his fictions rather than a sociologist parading his data.
An act of imaginative identification has stimulated the composing of these particular fictions by a journalist who has been plentifully around London and writes out of a felt sense of the peripheral lives encountered there. MacInnes has said that he has imagined his books out of the suggestibility of his experiences, not made a "factual survey" of a social theme in order to disguise it later as fiction. (p. 105)
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