[In Three Years to Play Colin MacInnes] has attempted to bring off a major Shakespearean tour de force, and while there is certainly no harm in trying, his effort is crippled from the outset by MacInnes's apparently incurable tendency to fancy himself rather more clever by half than he actually is. It is hard to recall a novel in which the author's delusion of his own excellence is both so apparent and so widely at variance with reality; one gets the feeling that he is waving to himself from every page….
The setting is London, at the end of the sixteenth century, a period of religious turmoil when the air was thick with plot and counterplot, both real and imagined. In a virtuoso performance of turning gold into lead, MacInnes proceeds to assemble a cast of remarkably promising characters, the vast majority of whom turn out to be crashing bores….
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