SOURCE: "The Novelist as Topologist: John Barth's Lost in the Funhouse," in Texas Studies in Literature and Language, Vol. XIX, No. 1, Spring, 1977, pp. 83-97.
In the following excerpt, Vitanza analyzes the properties of the Möbius strip from "Frame-Tale," arguing that the story contains the framework for the entire collection and supports Barth's attempt to generate new meaning out of exhausted literary forms and themes.
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