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Linda Hogan (writer) Critical Essay | Critical Review by Laura Kennelly

This literature criticism consists of approximately 3 pages of analysis & critique of Linda Hogan (writer).
This section contains 634 words
(approx. 3 pages at 300 words per page)
Purchase our Linda Hogan - Critical Review by Laura Kennelly

Critical Review by Laura Kennelly

SOURCE: “Four Poets, Four Voices,” in Belles Lettres, Vol. 4, No. 2, Winter, 1989, p. 8.

In the following excerpt, Kennelly shares her mixed feelings about Savings: Poems. While she finds that Hogan captures the images of wild animals superbly, she believes that Hogan's poems, at times, sound forced.

Linda Hogan (Savings) is aware of what she is doing, but sometimes I just do not care. You might. She is a deeply meditative poet, and I suspect that Savings would endure well if one dipped into it over the years. Her images are firm; her poetic structures are competent. There is little in these poems to disgust and nothing slovenly; but many poems seem heartless, cold, even forced. Take, for example, these lines from “The Lost Girls.”

We go on or we don't, knowing about our inner women and when they left us like we were bad mothers or lovers...
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This section contains 634 words
(approx. 3 pages at 300 words per page)
Purchase our Linda Hogan - Critical Review by Laura Kennelly
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Linda Hogan - Critical Review by Laura Kennelly from Literature Criticism Series. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.
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