SOURCE: von Dassanowsky, Robert. “‘Wherever You May Run, You Cannot Escape Him’: Leni Riefenstahl's Self-Reflection and Romantic Transcendence of Nazism in Tiefland.” Camera Obscura, no. 35 (May 1995): 106-29.
In the following essay, von Dassanowsky offers a critical reading of Riefenstahl's Tiefland within the context of feminist film theory, arguing that Tiefland expresses a pre-feminist consciousness and a rejection of Nazism.
This is a free excerpt of 60 words. There are 9,178 words (approx.
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