In terms of quality alone, it is difficult to speak of development in the fiction of Ursula K. Le Guin. Her writing has been good from the start. She has published short stories of high quality, selectively, over a period of thirteen years. Since 1966, she has written nine novels. Even the worst of these, The Lathe of Heaven is imaginative and ambitious, far superior to most SF being produced today. There is little doubt that Le Guin is one of the best writers currently working in the science fiction and fantasy genres. Apparently at the height of her powers, she promises much.
Nor has her world view changed or altered significantly since the beginning…. [Her best fiction] examines the possibility of balance between the individual and his world. Le Guin has always believed strongly in such balance, in the dynamics of polarity. Taoism is not an interlude; it is and has always been the strongest single force behind her work, the mold that shapes novel after novel, and binds them one to another in a coherent pattern of human history. Her use of oriental wisdom is highly personal, the creative adaptation of a philosophical system to a literary genre long dominated by a harshly western vision of evolution and technological progress. (p. 3)
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