It is part of the [attractiveness of The Language of the Night] that Le Guin does not presume to present herself as critic; instead she has allowed Susan Wood (whose editing is devoted and very intelligent) to assemble the book from addresses, reviews, introductions and essays written over the past decade. Partly because of this variety and unpretentiousness, partly because of the candor, seriousness and penetration with which Le Guin speaks of her own work, but mainly because of the pleasure of seeing a first-rate mind at work on these matters, I should say that this is the most attractive introduction to science fiction yet to appear….
Although Le Guin is suspicious of definitions and boundaries in the world of fiction, she makes the necessary demarcations well. Whereas the mainstream or "absolute" novel (as she prefers to call it) presents reality "as expressed and transfigured through art," sf or fantasy presents "a personal variation on reality; a scene less real than the world around us, a partial view of reality." But "by that partiality, that independence, that distancing from the shared experience, it will be new: a revelation. It will be a vision, a more or less powerful or haunting dream. A view in, not out…."
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