[The Left Hand of Darkness] functions as a science-fiction novel about the writing of a science-fiction novel and is particularly informative for that reason. Since the various fictional genres can be meaningfully defined in relation to basic myths or to segments of myth, the mythic concern of LeGuin's novel, in spite of its attendant deleterious effects on the narrative, does have its point. (p. 77)
Making sense of the novel, and this is its essential weakness, depends upon an act of dislocation on the part of the reader and seeing what should be implicit as explicit, seeing the way in which the mythic structure rigorously, almost mechanically, determines the various turns of the plot….
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