[In The Beginning Place] Ursula K. Le Guin has returned to the intrapsychic landscape of her earlier fantasies … and has had her characters reject it as a permanent habitation. Two modern young people, Hugh and Irena, discover a strange, fantastic realm, which Irena calls "the ain countree," and which they enter, are changed by and finally leave behind as they return to the real world.

In the essay "From Elfland to Poughkeepsie" … included in The Language of the Night Le Guin distinguished the genuine, risky Inner Lands ("Elfland") from the banal imitation which is really the outside world in disguise ("Poughkeepsie"). In The Beginning Place she brings Elfland into violent contiguity, as it were, with Poughkeepsie, both places rendered in a gray, gritty, realistic style which may annoy fans of the author's more colorful fantasies but which strikes me as an impressive Le Guinian advance….

In short, Elfland...