SOURCE: "On Kundera," in Review of Contemporary Fiction, Vol. 9, No. 2, Summer, 1989, pp. 53-7.
In the essay below, originally published in the periodical La Repubblica on May 5, 1985, Calvino discusses the significance of digressive elements of Kundera's narrative style in The Unbearable Lightness of Being.
When he was twelve, she suddenly found herself alone, abandoned by Franz's father. The boy suspected something serious had happened, but his mother muted the drama with mild, insipid words so as not to upset him. The day his father left, Franz and his mother went into town together, and as they left home Franz noticed that she was wearing a different shoe on each foot. He was in a quandary: he wanted to point out her mistake, but was afraid he would hurt her. So during the two hours they spent walking through the city together he kept his eyes fixed on her feet. It was then that he had his first inkling of what it means to suffer.
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