Milan Kundera writes fiction in order to ask questions. Could that have actually happened? Why was he so ashamed of her anyway? Then why did he make it all up? Why did he lie? Why is she so nervous? Has Mirek ever understood her? These questions, part of a dialogue between narrator and reader, or perhaps between narrator and author, are taken from the first pages of Kundera's latest novel [The Book of Laughter and Forgetting]…. (p. 206)
Kundera interrogates his characters, poses questions to his various narrator-personae, engages his readers and puzzles them into questioning themselves. He is after clarity, definition, with a French faith in lucidity and a Czech mistrust of absolutes. The devil laughs at God because of His inscrutability; angels laugh with God at the simplicity of creation. Kundera, with an ironic smile, constructs fictional worlds in which patient investigation by narrator, characters and readers is rewarded by glimpses into the rules of the game.
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