BookRags.com Literature Guides Literature Guides Criticism/Essays Criticism/Essays Biographies Biographies My Bibliography Periodic Table U.S. Presidents Shakespeare Sonnet Shake-Up
Research Anything:        
History | Encyclopedias | Films | News | Create a Bibliography | More... Login | Register | Help

Search "Kubrick, Stanley 1928–: Critical Essay by Elie Flatto"

Criticism Navigation
 


Kubrick, Stanley 1928–: Critical Essay by Elie Flatto

Print-Friendly  Order the PDF version  Order the RTF version
Stanley Kubrick
About 2 pages (576 words)
2001: A Space Odyssey (film) Summary

Bookmark and Share

Essentially, the space-odyssey described in 2001 represents, I believe, Man's eternal quest for spiritual meaning and self-renewal. Man, as such, seems to have come to the end of a long journey begun with his inception as a species on earth. Having maximized his control over nature, he has reached a deadend in the evolutionary process, and in a circuitous manner, he has returned to his primordial conditions. Man may continue to invent, create, discover—yet he is no longer capable of fulfilling and renewing himself. In short, Man is ready for a new step in the evolutionary process in order to re-experience the excitement and adventure of a meaningful life.

Going back in time, the film recreates the conditions from which Man originated, and it begins with the era when apes, the highest product of evolution, huddled about in collectivized security and were completely integrated in their surroundings. Despite their sporadic fights over territorial possession, their life had achieved a state of perfect stasis and boredom not unlike that to be experienced later by the overly sophisticated human community of the year 2001…. Suddenly, the stability of their drab environment is disturbed by the appearance of a strange, oblong and darkly luminous object, about which the apes crowd in fear and wonder—the first faint glimmering of an authentic emotion. This strange object, giving 2001 its structural unity and highly symbolic character, is one of the most controversial features of the film…. Although some may construe it as that eternal quotient of mystery before which Man and beast are alike helpless, I see it as a symbol (akin to the Jungian four-sided mandala, the most fundamental of all archetypes) of that inspirational force through which life eternally renews itself, for it is upon its appearance that the apes discover and perfect the use of the first tool—a skeletal relic shaped into a club. A perhaps crude beginning, yet in terms of what we know, one that ushers in a completely new evolutionary mode of existence characterized by intellectual development, political experimentation, spiritual growth, heroic action, and dominated by spiritual rather than instinctual impulses. (pp. 7-8)

This is a free excerpt of 352 words. There are 576 words (approx. 2 pages at 300 words per page) in the full critical essay.

Read the rest of this Criticism with our Kubrick, Stanley 1928–: Critical Essay by Elie Flatto Access Pass.

Copyrights
Kubrick, Stanley 1928–: Critical Essay by Elie Flatto from Literature Criticism Series. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.

Join BookRagslearn moreJoin BookRags


About BookRags | Customer Service | Report an Error | Terms of Use | Privacy Policy