Koestler's gift is bold and fresh, but it is theatrical. He is the declaiming and compelling actor. No one has known better than he when to drop what he is doing and rush to document the latest convulsion. In this fashion, he has run through the political infections of our generation…. How much in his writing is personal experience and how much is an intense imaginative identification with the people he describes is not important; or rather, only the identification is important. It is passionate because it is moral; it is complex because it is at once theatrical and aware of itself….
Koestler is more than a simple reporter. He is intellectually volatile; it is second nature for him to generalize about events; he is politically trained, and likes to be politically bespattered. It is the business of the journalist to interview everything and Koestler is able to interview philosophy, science, economics, history, and to come back with a notebook full of general ideas which are put to dramatic use. (p. 54)
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