[In The Paragon Knowles] again shows empathy with young people. With considerable freewheeling humor and light irony he depicts the Yale University scene and Louis Colfax, a decided original in spirit and behavior, as he seeks to express his assorted doubts and talents and strives to surmount the strangeness and failure that he considers inescapable in his family heritage. Characterization often slips into caricature, less so with Louis himself and young Charlotte—whom he loses because he feels unready to give her the child she desires—than in the case of Louis' wealthy, haughty, insensitive roommate, the roommate's glamorous, earthy, outspoken former stepmother, and Louis' radical Afro-Brazilian friend.
A review of "The Paragon: A Novel," in The Booklist (reprinted by permission of the American Library Association; copyright © 1971 by the American Library Association), Vol. 67, No. 15, April 1, 1971, p. 641.
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