Thomas Kinsella has always been an eloquent poet, but one who seemed to find … that the "clenched emotions" fitted best into a tightly-controlled verse. In Nightwalker he has attempted something much looser and more discursive, a longish meditation taking its cues from whatever offers itself to view on the night walk of the title. At times the visual particularity and the quick cuts from scene to scene give it the effect of a scenario, and indeed one feels that some extraneous but necessary element is missing—whether of sight or sound. It reads very much like a transitional piece, and it will be interesting to see what Mr. Kinsella does next.

"Taking a Strong Line," in The Times Literary Supplement (© Times Newspapers Ltd. (London) 1967; reproduced from The Times Literary Supplement by permission), No. 3423, October 5, 1967, p. 937.∗