When Randle Patrick McMurphy swaggers into the cuckoo's nest, brash, boisterous, with heels ringing off the floor "like horseshoes," he commands the full attention of a world held crazily together in the name of adjustment by weakness, fear, and emasculating authority…. When, six weeks later, he hitches up his Moby Dick shorts for the final assault on the Big Nurse and walks across the floor so that "you could hear the iron in his bare heels ring sparks out of the tile,"… he dominates a world coming apart at the seams because of strength, courage, and emerging manhood. As Chief Bromden says (repeatedly)—he has made others big.
The early McMurphy has a primitive energy, the natural expression of his individualism. And in the manner of the solitary hero his freedom and expansiveness come from being unencumbered. He has "no wife wanting new linoleum. No relatives pulling at him with watery old eyes. No one to care about, which is what makes him free enough to be a good con man."… The later McMurphy, however, is thoroughly encumbered with the shrunken men on the ward, committed to a desperate struggle for their manhood…. (p. 43)
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