If we think of "the mythology of Australian history" in terms of imaginative fiction, one name springs instantly to mind: Patrick White. With Voss and The Tree of Man he mapped out a territory which seemed to be peculiarly his own. Anyone else working the same ground could scarcely help but appear as an imitator. So it's particularly interesting to see a talented writer like Thomas Keneally staking his claim in the White territory.
Mr. Keneally's [The Chant of Jimmie Blacksmith] … is set in rural New South Wales at the turn of the century and seems to shadow White at several points, though it may simply be that, handling the same sort of material (farming life, and the social flux of a century still in process of completion), there is an overlapping of documentary detail, plus a focusing on the mythological features of the period. But they have something else in common—a painter's eye, a humane particularity of observation….
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