SOURCE: "Caska: Stoic, Cynic, 'Christian'," in Literature & Theology, Vol. 8, No. 2, June, 1994, pp. 140-56.
In the following essay, Bradley characterizes Caska (or Casca) as a hypocritical Cynic whose role in the play is nevertheless to expose the weaknesses of Brutus's Stoicism and Cassius's Epicureanism and to point toward the emergence of Christianity.
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