SOURCE: "History As Nobility: In the Theater of Pompey," in Writing from History: The Rhetoric of Exemplarity in Renaissance Literature, Cornell University Press, 1990, pp. 205-36.
In the excerpt below, Hampton contends that Shakespeare relies on rhetoric—more specifically, word play—to explore the untenable relationship between the patrician class and Caesar, the complex conflict between the patricians and the plebeians, and the easy effectiveness with which Antony manipulates the plebeians.
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