Jeffers' poetry presents some difficulties, but it is in the main poetry of direct statement. Yet even if Jeffers were serving up a pastiche of metaphysical conceits and French symbolism, it seems unlikely that the "esthetic" critics [who have objected to his style] would feel moved to enthusiasm for his sprawling, often careless narratives. The poems need critical re-examination, but the need centers in their philosophical texture, in the relationship of idea to idea rather than the relationship of word to word, nuance to nuance. (p. 8)
In retrospect Jeffers' present reputation is contained within the beautiful symmetry of a completed irony. The virtues which the earlier reception proclaimed were his sense of restrained tragedy, his form and metrical accomplishment. The faults which later criticism has found are those of hysteria, formlessness and dubious metrics. Still, most critics have permitted him to retain one virtue, that of "power." (pp. 9-10)
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