SOURCE: Spingler, Michael. “Anouilh's Little Antigone: Tragedy, Theatricalism, and the Romantic Self.” Comparative Drama 8, no. 3 (fall 1974): 228-38.
In the following essay, Spingler asserts that Anouilh's use of the chorus in Antigone functions to “establish the play's essential theatricality” and reinforce his perception of romantic theatrical techniques.
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