SOURCE: "Familial Imagery in Anouilh's Becket," in Romance Notes, Vol. XIX, No. 1, Fall, 1978, pp. 16-21.
In the folowing essay, Stroupe argues that a recurring pattern of references to fathers, sons, and brothers in Becket constitutes "one of the central methods by which Anouilh links the many aspects of the quarrel between church and state, between Becket and Henry."
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