SOURCE: Schuyler, William M., Jr. “Portrait of the Artist as a Jung Man: Love, Death and Art in J. G. Ballard's Vermilion Sands.” The New York Review of Science Fiction, no. 57 (May 1993): 1, 8-11.
In the following two-part essay, Schuyler attempts to amend David Pringle's pioneering study of Jungian psychological symbols used commonly by Ballard.
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Read the rest of this Criticism with our J. G. Ballard: Critical Essay by William M. Schuyler, Jr. Access Pass.
