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Critical Essay | Critical Essay by Peggy Muñoz Simonds

This literature criticism consists of approximately 30┬ápages of analysis & critique of Critical Essay by Peggy Muñoz Simonds.
This section contains 8,940 words
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Critical Essay by Peggy Muñoz Simonds

SOURCE: Simonds, Peggy Muñoz. “‘Sweet Power of Music’: The Political Magic of ‘the Miraculous Harp’ in Shakespeare's The Tempest.Comparative Drama 29, no. 1 (spring 1995-96): 61-90.

In the following excerpt, Simonds focuses on analogies between Prospero and Orpheus, the mythical demigod who employed music and eloquence to civilize brutish men and induce harmony in his kingdom.

In a recent paper critical of the logical discrepancies between “new historicist” theory and practice, Robin Headlam Wells argues that a true historical approach to The Tempest would focus on the mythological topos of Orpheus as the conventional prototype of Prospero rather than on modern views of colonialism and demonized otherness.1 In response to this important suggestion, I shall discuss here the conflation of two such traditional topoi...

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This section contains 8,940 words
(approx. 30 pages at 300 words per page)
Purchase our Critical Essay by Peggy Muñoz Simonds - Critical Essay by Peggy Muñoz Simonds
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