In her life's work, H. D. returned constantly to a pattern of personal relations that she found perplexing and felt to be damaging to herself and other women: thralldom to males in romantic and spiritual love. In her later writing, she invented a number of strategies to transform this culturally mandated and seductive pattern of male-female relations. Romantic thralldom is a feature of many literary plots because of conventions surrounding love and marriage, quest and vocation, hero and heroine. These conventions could be termed "Scripts" for both literary plots and personal relations. In order to transform these psychocultural scripts, H. D. had to invent in her works patterns for male-female relationships less damaging than, but … as satisfying as those she and other women had experienced.
Romantic thralldom is an all-encompassing, totally defining love between unequals…. Viewed from a critical, feminist perspective, the sense of completion or transformation that often accompanies thralldom in love has the high price of obliteration and paralysis, for the entranced self is entirely defined by another. (pp. 178-79)
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