In the summer of 1924, Ernest Hemingway wrote to Gertrude Stein and Alice B. Toklas to report on the progress he was making with a long short story in which he was "trying to do the country like [Paul] Cézanne and having a hell of a time and sometimes getting it a little bit. It is about 100 pages long and nothing happens and the country is swell, I made it all up, so I see it all and part of it comes out the way it ought to, it is swell about the fish, but isn't writing a hard job though?"

The story in question was "Big Two-Hearted River," which in addition to being swell about the fish and as visually powerful as a Cézanne landscape, turned out to be a nice little master-piece of psychological indeterminacy….

[The] story abounds in details of how splendid the fishing...