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Hemingway, Ernest 1899–1961: Critical Essay by Leon Edel

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About 2 pages (535 words)
Ernest Hemingway Summary

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Hemingway has not created a Style: he has rather created the artful illusion of a Style, for he is a clever artist and there is a great deal of cleverness in all that he has done. He has conjured up an effect of Style by a process of evasion, very much as he sets up an aura of emotion—by walking directly away from emotion!

What I am trying to suggest is that the famous Hemingway Style is not "organic." And any style worthy of the name must be, as the much-worn, but nevertheless truthful mot, that Style is the man, testifies. Is Hemingway's Style the man? At the risk of a pun, I would answer no, it is the mannerism! It is an artifice, a series of charming tricks, a group of cleverness. Gertrude Stein taught Hemingway that one can obtain wry effects by assembling incongruities, and Hemingway really learned how to juxtapose these with high skill. (pp. 169-70)

This is a free excerpt of 158 words. There are 535 words (approx. 2 pages at 300 words per page) in the full critical essay.

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Hemingway, Ernest 1899–1961: Critical Essay by Leon Edel from Literature Criticism Series. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.



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