The novelist's first allegiance is to his art, but it's impossible for me to think of fiction without a moral center. Mine is Conradian. My work is an effort to expose the worst in us all, to cause us to face up to the enormities of our terrible potential for betrayal, disgrace, and criminal behavior. I think that it is necessary to destroy repression while showing at the same time that the imagination is unlimited….
The work that is deeply and truly moral violates conventional morality. The writer who sets out to create his own world in a sense defies the world around him. He has to become an outcast, an outsider. He works in isolation to create something which to him is a thing of beauty, as well as a thing of knowledge and moral meaning. And that act is a risk, an assault on the world as we think we know it, and as such can be viewed as dangerous, destructive, criminal. But I think it is necessary to go to extremes. The writer knows what it is like to rebel, to defy, to be alone in situations of extreme risk, so he has an ultimate sympathy with those who have been judged as unfit for conventional society….
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