Konrad Vost, hero of "The Passion Artist," continues Hawkes's fictional interest in relations between the sexes. Vost's artistry in passion is his ability to walk a thin line between desire and frustration. His erotic passivity and anger are counterweights, each checking the pull of the other from giving in or letting go. (p. 7)
Hawkes seems fascinated by ambivalence as a deadlock between passivity and violence. When Vost permits a young prostitute to beckon him out of his six-year sexual fast, his rage flows with his orgasm. When female prisoners revolt against their guards, he joins the guards, beating the most fragile women the most violently. These events suggest large meanings: Men seem drawn to women because they hold the promise of pleasure and release but are repelled because women make them lose their self-control. When the anger of women is not contained, it erupts in vengeance on men. If male fury is not checked by male passivity, it becomes a murderous force. But Hawkes raises such large issues only to drop them in a series of pornographic, sadomasochistic scenes in which Vost is victimizer and victimized.
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