The Drinking Gourd, a three-act drama well suited for television presentation, is what may be called in television jargon a documentary on American plantation slavery. It is a compact yet comprehensive, authentic, and vivid portrayal of the "peculiar institution," correctly called the sum of all villainies, as it was especially in the cotton kingdom on the eve of the Civil War. The action in the drama is framed between a long prologue and a brief epilogue both of which are spoken by a soldier "perhaps Lincolnesque" in appearance. The prologue kaleidoscopically reviews the history of American slavery from its beginning to the middle of the nineteenth century. The epilogue avows that by that time the Civil War had become necessary to keep slavery from destroying the United States. (p. 193)
Rissa [the plantation cook] is indeed a faithful representation of the matriarchal heads of slave families—as far as slave families were allowed to exist—and to some extent she is also a prototype of Lena Younger, the widow and mater familias in A Raisin in the Sun. (p. 194)
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