In contrast to most hard-boiled detective writers who tend to employ the same detective and the same essential story over and over, Dashiell Hammett's work is extremely various. Each of his novels presents a different kind of problem and pattern of action. His first two full-length books, Red Harvest and The Dain Curse, feature an anonymous professional detective known as the Continental Op, who is also the central figure of most of Hammett's short stories. Though they share the same detective, these two novels are nonetheless very different in character. Red Harvest is westernlike in its setting and in its violent and chaotic narrative of gang warfare. The Dain Curse resembles a gothic novel with its eerie atmosphere of family curses, drugs, strange religious cults, and twisted motives. Hammett's third novel, The Maltese Falcon, develops a new detective, Sam Spade, who bears some resemblance to the Continental Op but is younger, wittier, and more of a ladies' man than his predecessor. His story too is different, shaped like a classical detective story complete with complex mystery and hidden treasure. The Glass Key goes beyond the detective story altogether to become a study in political power and corruption. Finally, in The Thin Man, Hammett invents still another detective, the private investigator Nick Charles, newly married to an heiress and transformed into a socialite and successful businessman but still capable of a good bit of detection between parties. Despite this manifold inventiveness, a distinctive Hammett quality pervades all his works. Most critics have summarized this characteristic as the importation into the detective story of a new "realism." (pp. 162-63)
That there was a new quality in Hammett's detective stories is certainly the case. Hammett, more than any other person, invented the hard-boiled detective…. It was he who licked the new story into shape, gave it much of its distinctive style and atmosphere, developed its urban setting, invented many of its most effective plot patterns, and, above all, articulated the hard-boiled hero, creating that special mixture of toughness and sentimentality, of cynical understatement and eloquence that would remain the stamp of the hard-boiled detective, even in his cruder avatars.
This is a free excerpt of 355 words. There are 2,423 words (approx.
8 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Hammett, (Samuel) Dashiell 1894–1961: Critical Essay by John G. Cawelti Access Pass.