For all its moving, tender, and grisly historic vividness, Roots remains what psychologists call an "ambiguous stimulus," one which is selectively restructured by the observer who is participant. This is not to despair in solipsism, but to emphasize the omnipresence of subjectivity in the never-detached observer; and to stress equally that that subjectivity can be a tool either for un-self-conscious indulgence, or for disciplined engagement. (p. 12)
For me, what is refreshing about Haley's Roots is that reality is not … cavalierly held in contempt. While there is much absolutistic either-or in the tale, Haley's world of human bondage does more than outrageously simplify into good guys and bad guys. I would go further: his is an American epic that Black and White men and women of good will might read and watch and discuss together. For while Haley does lamentably indulge in stereotyping, which I shall consider later, the over-all effect of Roots is, for me, a transcendent one, not a one-sided victory. In a sense, Roots taps the core of the American experience with its focus on the journey from whence we come, where we are now, where we aspire to, and the ever-new and constantly renewing pioneer settling of a new-found-land in freedom. "We" becomes everyone, not a single race. Haley is not fixated on the past: the past is simply, and starkly, and dramatically, the Proud Beginning. Haley does not rest complacently with an origin myth: for roots is process, not place. Roots lie not only in the past—but in the present and future as well.
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